Showing posts with label nikon. Show all posts
Showing posts with label nikon. Show all posts

Elinchrom EL 19360 Skyport Universal Trigger Set Review

Elinchrom EL 19360 Skyport Universal Trigger Set
Average Reviews:

(More customer reviews)
I went back and forth for a long time prior to choosing Skyports over PocketWizards. The primary reason - cost (half the cost to be precise). I typically purchase top-of-the-line products for my bread-and-butter gear (which would mean I should purchase the PocketWizards), but for most users in most scenarios, the Skyports are just as good, if not better (check out specs between the two) than the PocketWizards. The PocketWizards can trigger lights up to 1500 feet, but let's be realistic. How many of you have ever needed to trigger anything that far (I'm sure some of you have, but it's so rare that it hardly can be considered a true value add for the average user). Also, the Skyports are significantly smaller and doesn't get in the way like PocketWizards, and as far as general build quality is concerned, both brands feel somewhat cheap. I feel like radio triggers are in general overpriced for the technology that they utilize, so why not get the less overpriced "premium" brand.
BUT, if you are more interested in fashionable photography products or if you are a professional who really needs to stretch the limits of a trigger, go for the PockeWizards. They are the industry standard. Otherwise, save your money and spend it on more important things.
Also, like others have noted, the reason the first poster coulnd't sync at anything above 1/250th of a second is because his camera's top sync speed was probably 1/250th of a second (eg. my D200's top sync speed is 1/250th of a second).

Click Here to see more reviews about: Elinchrom EL 19360 Skyport Universal Trigger Set

The Skyport Universal Trigger Set provides the components needed to fire a single flash. The Skyport Universal Trigger Set Includes: * 1x EL 19351 Transmitter, battery and spare battery drawer * 1x EL 19352 Universal Receiver included wall adapter charger * 1x EL 11120 Sync cable 20 cm, 2.5mm Jack / Camera X-socket * 1x EL 11122 Sync cable 40 cm, 3.5mm / 3.5mm Jack * 1x EL 11125 Adapter 6.3 – 3.5 mm * 1x EL 11123 Sync cable 40 cm, 3.5mm Jack / EL Standard Sync socket. Note: Some flash devices require specific adapter cables which must be purchased separately. We suggest using high quality cables from your device manufacturer.

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Nikon NiMH Battery & MH-71 Charger Kit for Coolpix L Series, S4, 4600, 5600, 7600 Digital Cameras Review

Nikon NiMH Battery and MH-71 Charger Kit for Coolpix L Series, S4, 4600, 5600, 7600 Digital Cameras
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I have a Coolpix 4100. I'm very happy with the charger and the batteries. Quick charge, and start to work, photos or video...
Just let it charge and discharge a couple of times, read the battery "manual" ;o)

Click Here to see more reviews about: Nikon NiMH Battery & MH-71 Charger Kit for Coolpix L Series, S4, 4600, 5600, 7600 Digital Cameras

Replacement EMH71 Battery and MH71 Charger / For use with Coolpix 3200 and 2200 Digital Camera models

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SquareTrade 3-Year Camera Warranty: Cameras/Camcorders $600-$700 Review

SquareTrade 3-Year Camera Warranty: Cameras/Camcorders $600-$700
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I purchased a camera on Ebay and decided to purchase a square trade warranty. The camera stopped working and after emailing with Square Trade, they sent me a prepaid box to mail the camera to them. Within 3 days they determined that the camera couldn't be repaired and they refunded the entire purchase price to Paypal. So now we bought a new camera and intend to purchase another warranty from Square Trade.

Click Here to see more reviews about: SquareTrade 3-Year Camera Warranty: Cameras/Camcorders $600-$700

SquareTrade Care Plans are great value and cost 70% lower on average than traditional warranties.  Upon purchase, you will get an email confirmation.  You will not be mailed a paper contract.  If you have questions, please call: 1.877.WARRANTY.

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Metz 48 AF-1 Shoe Mount Flash for Nikon i-TTL Digital Cameras, Guide Number 157-158' Review

Metz 48 AF-1 Shoe Mount Flash for Nikon i-TTL Digital Cameras, Guide Number 157-158'
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I use this flash on my Nikon D90 and have no problems with it at all. Exposure is pretty much always spot on, and the wireless functionality works flawlessly with Nikon's commander mode. The auto zoom head, and flash power are great for my needs. I think it is very comparable to the SB600, especially seeing as it is about twenty five dollars cheaper just now. It is German, so well made, and has a USB input for firmware updates is a useful and welcome addition. My only complaints are minor. The batter cover is a little stiff to open and close, and the menu buttons are not the best, but it overall, it functions very well.

Click Here to see more reviews about: Metz 48 AF-1 Shoe Mount Flash for Nikon i-TTL Digital Cameras, Guide Number 157-158'

State-of-the-art, the 48 AF-1 allows photographers to stay current and effortlessly make firmware updates via the internet and the flash s unique USB connection. The flash features a powerful guide number of 158 and for added versatility, is powered by four, readily available AA batteries. The 48 AF-1 C is designed to support Canons E-TTL and E-TTL II technology. The 48 AF-1 is fully compatible with TTL digital remote systems and can also be operated as a TTL slave unit that can be controlled by the camera s built-in commander mode, a manufacturers flash with master capabilities, or from a Metz 58 AF-1. The 48 AF-1 also features an auto zoom head from 24-105mm that can be set to match the cameras sensor, a full bounce and swivel reflector head, a built-in wide angle diffuser for 18mm coverage, and of course, full manual control with 12 partial light output level

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AF 16-50mm f/2.8 AT-X 165 Pro DX Lens - Nikon Mount Review

AF 16-50mm f/2.8 AT-X 165 Pro DX Lens - Nikon Mount
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This is another great lens in the Tokina pro line, and a great match to their 50-135 zoom. Fine image quality for sure; I only wish it were a purely internal focusing and zooming lens like the longer one. Good glass is always worth the $; in Tokina's case, it's also reasonably priced for its intended purpose.

Click Here to see more reviews about: AF 16-50mm f/2.8 AT-X 165 Pro DX Lens - Nikon Mount

The new Tokina AT-X 165 PRO DX makes an excellent standard lens giving the digital photographer the equivalent of a 24-75mm lens in terms of film. From the nature enthusiast to the portrait artist to photojournalist, everyone will be able to appreciate the AT-X 165's bright F/2.8 constant aperture. This wide aperture allows for faster shutter speeds in low-light conditions or a more shallow depth of field for more pleasing portraits. The out of focus background from a wide aperture setting concentrates attention on the subject giving the photo more strength and intimacy.

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Nikon 77mm Circular Polarizer II Thin Ring Multi-Coated Glass Filter Review

Nikon 77mm Circular Polarizer II Thin Ring Multi-Coated Glass Filter
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This 5mm thin filter is made with precision and quality. You can count on pretty much any Nikon products that are made within the highest standards. I have several other brand polarizer but this one is one of the best looking ones. I've stacked this filter and 3mm Hoya ultra thin on my 12-24mm Nikkor and due to its excellent sky darkening effect can hardly notice any vignetting problems even at the shortest focal length. The only problem is that depending on the angle of sunlight you may get uneven sky darkening effect on a wide angle lens. I'm a big sucker for polarizer filter and 90% of my work is done with it. Graduated Neutral Density filter sometimes can give better result on sky darkening effect depending on light condition.
If you have the money just buy it; you won't regret it. If you want to spend less money, go ahead and get some other polarizer at half price. Taking great pictures is about observation, not about owning great equipments.

Click Here to see more reviews about: Nikon 77mm Circular Polarizer II Thin Ring Multi-Coated Glass Filter

In general, light reflected from water, glass, or other shiny materials is polarized and adversely affects image definition. Circular polarizing filters reduce or eliminate unwanted reflections and increase the overall contrast of subjects in low-contrast situationsUsually, light from the sky is polarized due to reflections and dispersions in the air. Circular polarizing filters cut these reflections, making the sky blueror intensifying colors.

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Tamron SP AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens with Built In Motor for Nikon Digital SLR Review

Tamron SP AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens with Built In Motor for Nikon Digital SLR
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Update at the bottom (04-dec-2009)
I am an event and wedding photographer and first i was more keen to the Nikon 17-55mm f/2.8G but i did my research and even asked in a Wedding Photography group on Flickr and a friend of mine told me that he switched to tamron after he discover the performance was comparable to the three times more expensive lens made by Nikon.
You wont get the metal lens or the internal focusing that comes with the Nikkor one, but to be honest that does not matter that much in a lens this small, it comes out like a bit over an inch when you zoom in but i don't see why that would be a problem to anyone. I shoot events that last for hours and the lightweight is a plus.
I have taken over 3,000 pictures already and they are just perfect. I did a test with both lenses mounting the camera in a tripod and taking the picture of the same subject and i couldn't tell which one was taken with Tamron or Nikkor (not even in my big screen).
The focusing is pretty fast, well suited for fast paced situations such as weddings and concerts where everybody is in constant movement, also very quiet! If you are on budget i strongly suggest you to buy this lens and you wont be disappointed. My copy serial is almost 30,000 so i guess previous issues have been solved. The only problem i have found is that on the wide end (17mm) corners are a bit soft (not too much to notice at first sight) but that doesn't bother me because i use it between 20mm and 28mm most of the time.
Note that i have been using the lens on a Nikon D300 and i take around 500 pictures per event average.
I think it's not fair call this lens "junk" just because you have a bad copy, please be fair. If that is your case ask for a replacement and I'm sure amazon will work things out for you, then make a review based on the good copy.
Isaac
Update 04-dec-2009:
The lens it's been focusing really slow for the past 2 months and even though the focusing speed was OK and a bit noisy the pictures were fine, now I'm going to repair it and then sell it, just purchased the Nikon 17-55mm f/2.8G and wont buy anything from Tamron ever again and stick to Nikkor lenses. Maybe i got a bad copy and i know some of my fellow photographers don't have the money to purchase a 1,400 dollar lens, but if you can do it just don't think of it twice just for the sake of avoid a focusing failure in the mid of a job. If you are just an amateur photographer having fun with the camera, i encourage you to try every lens before spending your hard earned money in something that will just stop working few months later.

Click Here to see more reviews about: Tamron SP AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens with Built In Motor for Nikon Digital SLR

The Tamron SP AF17-50mm f/2.8 XR Di II LD Aspherical [IF] is a lightweight, compact, fast standard zoom lens designed exclusively for digital SLR cameras. The focal length of this lens is equivalent to approx. 26-78mm in 35mm format.This lens offers an f/2.8 maximum aperture throughout the entire zoom range, to ensure stress-free photographic shots at all focal lengths and distances. Additionally, a broader photographic expression through the use of faster shutter speeds as a result of the maximum aperture offers enhanced photographic pleasure.FEATURES:Optimized for Digital SLR - The use of XR (Extra Refractive Index) glass optimizes the overall distribution of optical power, and also reduces various aberrations to the absolute minimum while achieving remarkable compactness. In addition, suitable positioning of two hybrid aspherical elements serves to maintain imaging performance and to shorten and compress the entire optical system.LD Glass - An LD (Low Dispersion) glass element is used to accomplish effective compensation of on-axis and lateral chromatic aberrations, a critical factor for enhancing optical quality in digital photography, in order to achieve outstanding optical performance over the entire zoom range.Enhanced Peripheral Illumination -Peripheral light fall-off is minimized when compared with that of conventional lenses for film cameras, so images are uniformly bright from the center to the periphery.Internal Surface Coating to Reduce Ghosting and Flare -By employing "Internal Surface Coatings" (i.e., multiple-layer coatings on cemented surfaces of plural elements) and multiple-layer coating technology on ordinary elements, ghosting and flare due to the reflections that occur when light enters through the front element and reflections caused by the imagers themselves are reduced to the absolute minimum.Zoom Lock Mechanism -The Zoom Lock prevents unwanted barrel extension when carr

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Sigma 150mm f/2.8 EX DG HSM APO HSM IF Macro Lens for Nikon SLR Cameras Review

Sigma 150mm f/2.8 EX DG HSM APO HSM IF Macro Lens for Nikon SLR Cameras
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I had a Canon 100mm f2.8 Macro and it was working quite well for me but I longed for a little more working distance. When Sigma came out with the 150mm f2.8 Macro, I tried researching it but couldn't find much info because it was such a new lens, I found the MTF charts on the Sigma Website and it was amazing. This lens was very close to the performance of the Sigma 180mm macro and Canon's famed 180mm f3.5 L. So I went ahead and bought it. It was a little pricy but I thought I could always return it if I didn't like it.
My first impressions taking the lens out of the box was very positive. It was quite compact for the focal length and was very well made. It balanced quite well on my 20D. I never liked Sigma's EX finish but I could live with it. The EX finish looks cheap to me,particularly the golden ring, and the EX badge, but it's better than Sigma's old design. The only thing I like about the EX finish is that it seems very durable. Even after heavy use there are no marks or scratches on the lens body and every time I wipe the lens body with a damp tissue, it just looks like brand new. The focus ring is nicely ribbed and wide but it didn't have the kind of damping Canon L lenses have, so it felt a little loose. The tripod ring is made of the same material as the lens body itself, but it didn't feel as smooth as the Canon's L like the 70-200 2.8IS and the 300mm f4 IS. One advantage Sigma's tripod rings have over Canon is you don't have to take it off the tripod to remove the lens. You just pull a knob and the ring opens allowing you to remove the lens. This is good if you have it all set on the tripod and want to quickly remove it for some hand held shots.
As far as it's optical performance is concerned, it's an absolute gem. When I review the pictures from this lens, all worries and niggles about price, finish etc dissapear and I'm glad I own it. I compared it against Canon's 135mm F2L which is one of Canon's sharpest lens,and this lens compares very favourably against it. In fact it is just as sharp as the 135mm at comparable apertures. But the 135mm is a stop faster and has faster focussing but that's a whole different story.
In short the lens is everything one can expect out of a macro. Excellent build, very sharp, good colors, excellent bokeh (out of focus areas). What else would one want? The focussing is slow, but it's a macro lens and that's how macro lenses are. The minimum aperture is 22 which may deter some, but I don't shoot slower than 22 anyway because of diffraction limitations.
This lens is just perfect for it's intended purpose. Needless to say, I sold my Canon 100mm in a jiffy.

Click Here to see more reviews about: Sigma 150mm f/2.8 EX DG HSM APO HSM IF Macro Lens for Nikon SLR Cameras

The first high speed, tele macro lens for Nikon digital and film SLR cameras -- shoot up to 1:1. The maximum lens aperture is F2.8. Two Special Low Dispersion (SLD) glass elements control various color aberrations and assure high image quality. A floating focusing system moves two different lens groups in the optical system to different positions. This system compensates for astigmatic aberration and spherical aberration. And, the high-speed motor (HSM) provides ultra quiet high-speed autofocusing as well as full-time manual focus override. Specifications: Focal length: 150mm Minimum Aperture: F22 Lens Construction: 16 Elements in 12 Groups Focusing System: Floating Internal Focusing Angle of View: 16.4deg. Number of Diaphragm Blades: 9pcs Minimum Focusing Distance: 38cm (15 ) Maximum Magnification: 1:1 Filter Size (diameter): 72mm Lens Hood: Petal shape bayonet Dimensions: Diameter 79.6mm (3.1 ), Length 137mm (5.4 ) Weight: 895g (31.6 oz.) Detachable tripod socket

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Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF Review

Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF
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I took the Tamron AF 55-200mm out for a test drive along with my (new to me) Cannon digital rebel (300D). I went for a few hours into the wine country of Northern California. The Tamron is a perfect companion if you already have the standard Canon EF-S 18-55 mm lens. The Tamron is 55 to 200mm, so it takes over where the cannon leaves off.
Also, you get better lens performance compared to a lens that "tries to do it all" by going from super wide to long telephoto. Outdoors the camera was able to focus the Tamron quickly and reliably. I am very pleased with the lens.
I'm also pleased because this lens is designed specifically for digital cameras. (Digital cameras are different from film cameras in several respects). For example, a digital camera uses what amounts to a big chip to gather light, the surface of the chip is far more reflective than film. This means bright light can hit the chip and some of it bounce back into the lens. If the rear-end of the lense does not have good coatings, you can get re-reflections *back* to the chip. The light rays hitting the chip also need to be parallel NOT in a "cone". These are the types of design elements Tamron has paid attention to when designing this lens.
HOWEVER, you cannot use this lens with a film camera, or you will get dark fading (vignetting) around the edges of the photo.
Also, this lens is designed specifically for cameras with a CMOS or CCD chip no larger than 15.5 to 23.2mm (perfect for the Canon 300D) To see how big your chip is, refer to the specifications in your owners manual.

Click Here to see more reviews about: Tamron A15 - Telephoto zoom lens - 55 mm - 200 mm - f/4.0-5.6 Di II LD Macro - Canon EF

The Tamron AF55-200mm f4-5.6 Di II Macro LD (Model A15) is a tele-zoom lens designed exclusively for digital SLR cameras with smaller-size image sensors at an affordable price. Di (Digitally integrated)-II lenses are designed for exclusive use on digital cameras with smaller-size imagers. This lens is not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24mm x 16mm. For photographers who bought their digital SLR camera in a kit with a standard zoom lens but are dissatisfied with the telephoto capability of the standard lens, the AF55-200mm f4-5.6 Di II LD Macro offers in a second lens a desirable telephoto range at an affordable price. The tele-zoom from Tamron will allow these photographers to enjoy the telephoto capabilities that yield dynamic images in many photographic situations including sporting events, large wildlife, scenery and portraiture. Popular-type Tele-zoom for Exclusive Use on Digital SLR CamerasThis is a telephoto zoom for exclusive use on digital SLR cameras that covers the focal length range equivalent to 85-310mm when converted to a 35mm format. The lens will allow owners of digital SLRs fitted with standard zoom lenses to enjoy with ease the professional-looking "pulling" and "compression" effects particular to telephoto lenses. Lightweight and Compact Design Thanks to Optical System for Exclusive Use on Digital CamerasSince the optical system is designed for exclusive use on digital cameras, the image circle is smaller, resulting in a compact package measuring 3.3 inches, accepting a 52mm standard filter and weighing a mere 10.4 ounces. Revolutionary Minimum Focus Distance of 37.4 inches for 1:3.5 Macro Capability over the Entire Zoom RangeThe 55-200mm zoom lens realizes an MFD (Minimum Focus Distance) of 37.4 inches over the entire zoom range, the top level of the closest focusing distance among tele-zoom lenses. Since the maxim

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Nikon D300s 12.3MP CMOS Digital SLR Camera with AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II Lens Review

Nikon D300s 12.3MP CMOS Digital SLR Camera with AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II Lens
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This is a great camera even if Ken Rockwell doesn't really recommend it. I am a previous D200 owner, but I am very fond of this D300s. I still have much experimenting to do with this. I love my custom setup with vivid colors for landscapes and jewelry but I'm always forgetting to re-set it to normal when I'm taking people pictures. I haven't used the video as much as I want to. One draw back I couldn't edit the video with my Sony Vegas movie editing software, although I may have an earlier version of the software. Has anyone been able to do that?
The 18-200mm is the best Nikon lens made. Extremely versatile and may be the only lens you'll ever need. I love the new locking system.

Click Here to see more reviews about: Nikon D300s 12.3MP CMOS Digital SLR Camera with AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II Lens

Nikon D300s 12.3MP CMOS Digital SLR Camera with AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II Lens (9740)

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Lexerd - Nikon D3000 TrueVue Anti-glare Digital Camera Screen Protector Review

Lexerd - Nikon D3000 TrueVue Anti-glare Digital Camera Screen Protector
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I've bought plenty of these screen protectors for various electronics for years. I have never seen one that was s foggy as this one. It makes the screen look as though it is dirty and streaked. Im sure it will keep it from being scratched, but at what cost? The clairity of the screen is ruined.

Click Here to see more reviews about: Lexerd - Nikon D3000 TrueVue Anti-glare Digital Camera Screen Protector

The Lexerd TrueVue™ is created from an ultra-clear film that is exclusive to Lexerd for covering consumer electronics. Transparent and amazingly thin, the TrueVue is designed to precisely match the contours ofevery device, providing unbeatable scratch protection. Lexerd TrueVue utilizes the latest LCD screen protection technology that will keep gadgets looking great.- Keep your device crystal clear with the exclusive professional grade film, only available with Lexerd- Scratch-proof -you can show off your gadget and use it without fear of scratching- The ultra-thinfilm is only 0.2 mm thick and will not add bulk to your device. So you can still slip it into charging docks and handbags- Lexerd's latest technologyIt allows the TrueVue to create precise, custom designs that hug the curves of your electronics- TrueVue is guaranteed to preserve original color tonesPackage contents:One each of the following items: screen protector,instruction manual, lint free cloth, finger cots (to protect optical surfaces during handling)

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PRO SERIES Dual Charge Combo NIKON EH-68P Equivalent AC Adapter & MH-63 External AC DC Mini Charger with UC-E6 USB 2.0 A male to mini B 8-pin male Interface cable for CoolPix S3000 and S4000 Digital Cameras. Review

PRO SERIES Dual Charge Combo NIKON EH-68P Equivalent AC Adapter and MH-63 External AC DC Mini Charger with UC-E6 USB 2.0 A male to mini B 8-pin male Interface cable for CoolPix S3000 and S4000 Digital Cameras.
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Lost my charger and usb cord for my coolpix camera. This is not the original of course but works just as well!

Click Here to see more reviews about: PRO SERIES Dual Charge Combo NIKON EH-68P Equivalent AC Adapter & MH-63 External AC DC Mini Charger with UC-E6 USB 2.0 A male to mini B 8-pin male Interface cable for CoolPix S3000 and S4000 Digital Cameras.

Accessory Power EN-EL10 Equivalent Replacement Charger EH-68P is compatible with NIKON CoolPix S3000 S4000 Digital Cameras and any other models taking the ENEL10 battery. THE USB CHARGER: Simple, portable & powerful, the Mini Charger is ready to go wherever you want to take it. Our Mini battery Chargers come pre-packaged for every scenario - A USB Charging Port for use with mobile phones, MP3, PDAs & other USB enabled devices, a DC adapter for on the road use & a European travel adapter for going abroad. Lightweight & compact, the Mini Charger can easily fit in your pocket so you'll never need to worry about your camera batteries dying again! Our Mini Chargers come with sophisticated microchips that can detect the slightest variations in your battery, ensuring that your batteries will never be damaged by the charging process. The UC-E6 equivalent NIKON USB 2.0 A male to mini B 8-pin male Interface cable is used to download images from your digital device to your PC. All of our products are manufactured with Silicon Valley technology to European precision standards, and we are confident that no other company provides the same value combined with the most competitive prices in the industry. We believe in our products and offer an unheard of FREE 3-YEAR EXTENDED MANUFACTURER'S WARRANTY--we guarantee you'll be satisfied.

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Click here for more information about PRO SERIES Dual Charge Combo NIKON EH-68P Equivalent AC Adapter & MH-63 External AC DC Mini Charger with UC-E6 USB 2.0 A male to mini B 8-pin male Interface cable for CoolPix S3000 and S4000 Digital Cameras.

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Nikon Coolpix P100 10 MP Digital Camera with 26x Optical Vibration Reduction (VR) Zoom and 3.0-Inch LCD (Black) Review

Nikon Coolpix P100 10 MP Digital Camera with 26x Optical Vibration Reduction (VR) Zoom and 3.0-Inch LCD (Black)
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This is a very versatile camera and responsive to most needs. It has a good macro range to go along with a super zoom range. It compares well to a Panasonic DMC-GH1 which has a much larger sensor and more expensive optics (the lens alone is twice the price of this Nikon). The Panasonic also produced higher saturation and contrast shots in default mode and this gives the appearance of higher resolution. The Nikon gave a truer auto outdoor color balance and more natural contrast. Even at ISO 800 it was very sharp. You can enlarge a few test shots at the DPReview forums by searching for "Nikon P100 test shots". or if this works: [...]
The two highlights that amazed me were the Nikon's focusing indicator system. It is so cool that when you shoot a bouquet of flowers the display shows you each blossom chosen by the matrix focusing system. You click the shutter with the knowledge that it is choosing what you want. Wonderful. The second highlight is the range of the optics from good macro, nice wide angle, and amazing telephoto. Please see the photos I uploaded showing how well this camera compares. What the Nikon lacks mostly comes down to smooth tones and fine detail at high ISOs; and this is only because it is being compared to a large sensor camera. The images would easily pass a fairly critical viewer on an 8x10 print and seem to be better than previous cameras with this size sensor.
Pros (so far):
Great focus indicator system, Display shows small green squares over selected objects for focus = ready to shoot, red square = not ready
Light, easy to hold good fit to my medium sized hands.
Articulated screen seems more natural than the swing out to the side screens (aligned with lens)
Quick access to shoot videos, focus tracking option, slow motion (lower res 240 fps),
Hugh zoom range and quite fast action, 1½ ++ second end to end
Outdoor sunlight colors quite natural
Very good resolution lens for this price range and favorably compares to much more expensive lenses (see above photos, several are pieces of 16 x 20 prints)
Very good macro versatility (see blowup of portion of terry towel above)
Adequate viewfinder but very contrasty, necessary info in viewfinder.
Cons (so far):
When shooting a video the focus is not able to keep up with the zoom (I reduced my rating because of this).
No RAW image option (less important with tools like Corel Image Adjustment Lab that gives me color temperature correction on jpg)
Lens cap rather than auto protect system, must remember to take it off before turning on camera (your notified when you forget)
Must use the menu system for several settings (ISO, color balance), slower but OK (hats off to the Canon G11, Panasonic)
Fast zoom over big range means it is tricky to accurately crop a shot (same with others though) Would love to see a 'nudge' feature for small changes.
Color balance with my photo fluorescent lights was tricky to dial in
Quick shutter in most situations but not all
No hot shoe for accessories and external flash
Only an adequate viewfinder
Minimum aperture of f8 (standard for cameras in this class, but would love to see it improved)
Screen does not 'self protect'
Must manually switch viewfinder verses LCD, simple one push button though


Click Here to see more reviews about: Nikon Coolpix P100 10 MP Digital Camera with 26x Optical Vibration Reduction (VR) Zoom and 3.0-Inch LCD (Black)

Nikon Coolpix P100 10.3MP Digital Camera with 26x Optical Vibration Reduction (VR) Zoom and 3.0-Inch LCD (Black) - 26212

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Kenko Teleplus MC4 - Converter DG - Nikon F Review

Kenko Teleplus MC4 - Converter DG - Nikon F
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At first, I had reservations about buying this item. I own a Nikon D80 and planned on using it with my Nikon 180mm f2.8 D lens. Since Nikon doesn't make a teleconverter for the 180mm, I went ahead and bought it.
First off, I'm thrilled with the results. This item really delivers. Not only does it work flawlessly with the lens and camera, but it also produces sharp images. I like it so much I sold my 300mm f4 Sigma lens on ebay. This teleconverter gives me the equivalent of a 360mm f5.6, at about half the weight.
I can't stress enough how happy I am with this teleconverter. Bravo!

Click Here to see more reviews about: Kenko Teleplus MC4 - Converter DG - Nikon F

The Kenko Teleplus MC4 DG 2x Conversion Lens will multiply the focal length of the existing lens by 2x, and will cut back the amount of light by 2 f/stops. For example, using a 2x teleconverter with a 300mm lens will effectively increase the focal length to 600mm. A lens set to f/2.8 will now be f/5.6. Teleconverters are not recommended for lenses wider than 50mm, e.g. 28-105mm. However, full AF operation is only possible with lenses with open aperture of f/2.8 or brighter. Please be aware that AF will work properly only if there is enough light and contrast on the subject to activate the camera's AF sensors. Manual focusing is recommended when using lenses with smaller open f-stop value than those given above.

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Nikon COOLPIX P500 12.1 CMOS Digital Camera with 36x NIKKOR Wide-Angle Optical Zoom Lens and Full HD 1080p Video (Black) Review

Nikon COOLPIX P500 12.1 CMOS Digital Camera with 36x NIKKOR Wide-Angle Optical Zoom Lens and Full HD 1080p Video (Black)
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I went out and shot another 200+ photos this morning.
To keep this review readable I will edit out my rant towards those that posted video reviews within days of the release notice of this camera.
A few more notes on thing I've "discovered" while shooting today.
I shot a couple short vids, used flash, turned off the camera multiple times and allowed it to hibernate many times, zoomed in and out and still the camera showed 1/4 of battery life left. Obviously if you're going to use this in a photo rich environment, carry a spare battery. Always better safe than sorry.
Some reviewers said they couldn't find any usable photos using HDR. I found it more than usable and will attach a couple photos to allow comparison.
I was using a grade 6 SD card today. That is the minimum Nikon recommends. It took approximately 13 seconds for the camera to process an HDR photo and a couple more seconds to write it to the card. Camera continues to show practically no lag time when taking standard shots. Only panoramas and HDR slow things down, with HDR certainly taking the longest. Nikon does have a progress bar that appears across the bottom so you don't think the camera is locked up.
While using full (or near full) zoom and in Auto mode, the camera did a fair amount of searching to focus on an item while in MACRO. Since my previous Lumix TZ5 was less than optimal in low light focusing, I am used to using either PROGRAM or Aperture priority on the Nikon to achieve focus on the intended target.
In what i consider "medium light" the camera refused to allow an aperture setting to maintain an narrow field of focus.
I'm certainly not down-grading my rating of the camera. I like it very much.
Just remember it is not a DSLR. In comparison it has a tiny sensor. There are always trade-offs. I am more convinced that this camera will suit my intended uses very well. The VR at extreme zoom still impresses me, as does the low light sensitivity and noise. Yes, there's noise, even at 560 ISO. It's not distracting however. Wait for the camera geeks to test and publish their data (i.e. dpreview.com) to get the hard statistics. My over all impression still stands and I'm glad I took a gamble and pre-ordered this camera and was on the initial round of deliveries from Amazon.
I have had possession of my P500 for my second evening to this point.
I've gotten to "play" a bit with it and here are my impressions.
Is it "the perfect camera for everyone?" No.
I personally don't believe such and animal exists nor will likely ever. Important factors to one shooter may be a non-factor or possibly a negative to another.
What is important is for each individual consumer (or gift giver)is consider the features that are most important to you.
Quickly summarizing me and my trigger points:
1)Travel friendly; great for nature shots, scenics, wildlife, architecture and has video capabilities. Do a reasonable job of photographing people when I must.
Size wise, very similar form factor (though a bit smaller)than my previous coolpix 8700. (Though nearly 3 times as thick and heavier than it's immediate predecessor, Panasonic's Lumix TZ5) Unless you have large cargo pockets, this is NOT a pocket-able camera. I have large hands and I find it comfortable to work with with controls placed logically and well. I passed the camera to a female co-worker with small hands and she also felt comfortable handling it, though she didn't take any shots with it. Build quality seems very solid, much more "put together" than comparative Canons that at times strike me as "less solid". My only concern at this point is the thumb rest pad on the right side, above the multi-function button may not hold up to long term usage, but it does appear to be inset, not just a "glue on" so may be fine.
Do a search of "Nikon P500 reviews" and look at the plethora of "reviews" that followed the announcement of release back on Feb 9th.
Find one that shows them actually USING the camera and THEIR photos and not displaying shots provided by Nikon. Don't call them "reviews" Call them "release notices" But, I digress.
I got this so I can become comfortable with it for my upcoming trip to Alaska. I will be asking a lot from it. From what I've seen so far, I believe it's up to the task. Some anticipated usage? Panoramas (this one does nice ones very cleanly and simply in both vertical and horizontal directions. It does horizontal in two flavors, 180 and 360 degrees PLEASE NOTE: you can only do the panorama in full wide angle and can not be in any zoom at all ) Catching wildlife in both stills from great distance and capture in slo-motion. Macro shots of flora and fauna. Along with "conventional" shots of points of interest.

Shots that I've taken to this point (right at 80, testing various preset and user/manual modes and extremes of the camera's range have shown me a few things.
Between the Nikkor lens assembly and the internal processing engine barreling and and pin-cushioning at the two extremes is minimal to non-existent to my eye. Some photos do exhibit loss of detail at the corner edges of the frame, nothing serious unless you're blowing your image up.
Under the USER function, you can set up frequently used settings rather than having to sift through menu options to change settings if you have certain effects you use regularly.
Some (a very few)of my shots appear to be slightly over exposed. Adjusting down .3 to .6 seems to please my eye more. It isn't in all shots and all situations, so let your eye be the judge.
The vibration reduction modes (there are two that minimize operator induced blur) seem to be very effective when taking still shots. Think what you're asking this one pound of engineering to do when you're extended out to an effective 800+mm zoom. Did every shot come out crystal clear? No. I had to cull out maybe every 5th or 6th photo. This was free handing it, using the sharp and clear, tilting 3" display and not the EVF, so it was away from my body and more prone to shake.
I have no plans on printing larger than 8x10's I've printed a couple out at that size and am more than pleased with the results. These were photos taken during normal daylight. Lower light photos blown up to that size will show noise.
I haven't run my camera with ISO's over 800 to this point. I'll get out there and push it's limits more this weekend. So far the noise generated by the camera have been well within acceptable limits for me. I wish the aperture was a touch bigger, but at this price point there is always trade-offs. The wide angle is wide, yet not exhibiting fish-eying.
Color rendering seems to pretty good, though I have seen others photos where there were pretty obvious issues when compared to similar full size sensor DSLR photos. I haven't experienced them and what I did see, can be easily corrected with some doctoring in a photo manipulation program.
In the few videos I have shot, the camera's vibration reduction can't cancel all my shake at full or near full zoom. Again, this is all free hand, when I was more cautious or used the EVF, drawing the camera to my head and making for a more stable platform for shooting, things improved dramatically.
Low light focus and flash images is good in the 10-15 photos taken under such conditions. Low light video hasn't been attempted by me to this point.
There is no ability to attach a filter on the lens nor is there a hot shoe. Regarding the filter, I wish I had the option to attach one if i wished, however it wasn't a deal breaker for me. I'm either shooting, or it's hanging down off my neck, on the ready or if I'm done shooting for a few, I snap the tethered lens cover on. Nikon is quiet clear that the cover must be removed before powering up the camera. The camera is very fast in being ready for the first shot. I don't have a stop watch but it's well under 1/2 second from OFF to ready to focus and shoot. There is virtually no lag time between shots unless the camera is stitching together and processing a panorama shot or a few other situations that are clearly outlined by Nikon and I haven't experimented with as of yet. Nikon wants you to use class 6 SD cards or faster, to keep camera write times down and ability to shoot quick.
If I find something compelling this weekend when I'm out putting it through it's paces, I will update this review with more relevant information. Likewise, should you kind readers have questions I can answer, feel free to inquire and I will do my best to respond.
My overall impression is very positive to this point. I wasn't expecting DSLR results in regards to picture quality and flexibility in various shooting conditions. This camera comes closer on both these aspects than I expected; and I'm carrying a LOT less gear and weight.
Nikon really should provide an external battery charger with the kit. In camera charging takes the camera out of use during the process. Otherwise the only other area I see they really missed the mark was by not adding threads to the lens barrel allowing filters/attachments.

Click Here to see more reviews about: Nikon COOLPIX P500 12.1 CMOS Digital Camera with 36x NIKKOR Wide-Angle Optical Zoom Lens and Full HD 1080p Video (Black)

Zoom your world with the high-powered, mind-blowing closeness of the Nikon P500. The 36x optical zoom breaks boundaries with incredible power to shoot closer and wider than ever before. It's loaded with amazing features including the CMOS sensor, which ensures superior images in challenging light, dual EXPEED C2 image processors allowing brilliant high speed capture.Super-sharp images come standard with Hybrid VR for image stabilization. The High Speed Continuous Shooting Mode shoots up to 5 frames in one second at full resolution capturing the best of the action and keeping the excitement rolling with the versatility of Full HD 1080p movie recording at the touch of a button. The Nikon Coolpix P500 superior tilting Vari-Angle monitor allows shooting at almost any angle or vantage point and viewing shots is easy on the 921,000-dot clear color display. Owners will enjoy the full scope of the Coolpix P500 with Easy Panorama Mode and more great shots easily-captured with over 19 Scene Mode technologies.

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Kata D-Light Grip-12 Holster (Gray) Review

Kata D-Light Grip-12 Holster (Gray)
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I have a Nikon D3100, and am using it with the 18-55mm kit lens. This bag holds the body with lens attached well without too much extra room, although a slightly longer lens on the body would fit as well. There is room inside the bag next to the lens for the (included) yellow weather sleeve that you can put around the bag. The sleeve tucks into itself and is a really nice feature. There is also a little pouch included that attaches via velco to the inside of the bag (on the inside on the lid or inside on the side) that can hold two extra memory cards.
The strap is wide and high quality, and the bag overall seems like a great travel holster. Post a comment if you have any questions.Update - I've since tried this holster with the Nikon 55-300mm f/4.5-5.6G ED VR AF-S DX Nikkor Zoom Lens for Nikon Digital SLR on my D3100 body, and it didn't really close. I might have been able to force it, but I think it would really be too big and you wouldn't want to do that. I regularly use it with both the 18-55 kit lens and the 35mm prime lens (Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras) that I picked up and love. Although there's a little extra room with both of these lenses, the tapered design and excellent quality of the bag means I'm not worried about them getting damaged from some shifting inside.

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The Grip 12, is a compact camera holster designed with style to hold a D/SLR with short lens attached in top quick grip position, while a dedicated media pouch will store spare cards and batteries. Access your camera quick and clean by using the quick access flap. Your camera is stored in the right position ready to grab and shoot at any moment. The Yellow interior allows you to locate easily even the smallest components while the TST Rib provides discreetly structured protection, where it really counts! With the rear loops you can wear the bag effortlessly on your belt or use the provided shoulder strap to easily take on or off. The provided elements cover will protect your valuable equipment during extreme weather conditions. Simply install over the bag for rain protection or use as a dust cover. External dimensions L,W,H, 6.1"X4.9"X7.5". Internal dimensions L,W,H, 5.7"X4.7"X6.9".

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Adorama Step-Down Adapter Ring 62mm Lens to 52mm Filter Size Review

Adorama Step-Down Adapter Ring 62mm Lens to 52mm Filter Size
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Cheap and works for what I needed it for.. Used this to help reverse my 50mm and couple it to the front of my 105mm macro.. Nice product, works as intended!

Click Here to see more reviews about: Adorama Step-Down Adapter Ring 62mm Lens to 52mm Filter Size

Allows you to use smaller size filters on lenses with a larger diameter thread. The first number is the size that screws into the lens, the second number is the filter size. Step " Down" Rings May Cause Vignetting.

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